This page provides access to several library resources in the boxes below.
Palomino Search box provides access to the Palomino Search tool. You can search for e-books, e-articles, and e-videos.
How do I use Palomino Search box provides a brief tutorial on performing a search using Palomino Search.
REMINDER: Check with Ms. Herrera for any questions about the types of resources that she will accept for this project.
Use Palomino Search to search for library resources. Below are suggested search terms to aid in your search for topics covered in this class. You may search by artist name and/or painting. These search terms may also be used when searching in the library databases.
Linked Search Terms General Search Terms
Art and society iconographic analysis AND art
Art criticism art criticism AND theory
Art and philosophy—United States sculpture
Artists—United States—Biography
Painters—United States—Biography
World Art by
What do we mean by 'art'? As a category of objects, the concept belongs to a Western cultural tradition, originally European and now increasingly global, but how useful is it for understanding other traditions? To understand art as a universal human value, we need to look at how the concept was constructed in order to reconstruct it through an understanding of the wider world. Western art values have a pervasive influence upon non-Western cultures and upon Western attitudes to them. This innovative yet accessible new text explores the ways theories of art developed as Western knowledge of the world expanded through exploration and trade, conquest, colonisation and research into other cultures, present and past. It considers the issues arising from the historical relationships which brought diverse artistic traditions together under the influence of Western art values, looking at how art has been used by colonisers and colonised in the causes of collecting and commerce, cultural hegemony and autonomous identities.World Art questions conventional Western assumptions of art from an anthropological perspective which allows comparison between cultures. It treats art as a property of artefacts rather than a category of objects, reclaiming the idea of 'world art' from the 'art world'. This book is essential reading for all students on anthropology of art courses as well as students of museum studies and art history, based on a wide range of case studies and supported by learning features such as annotated further reading and chapter opening summaries.
French Art by
"In the second volume of his magisterial history of French art, Andre Chastel presents the pivotal age in which the Gothic style of the Middle Ages was gradually transformed into a particularly French variety of classicism. From 1420 to 1500 - in what he terms the Pre-Renaissance period - heraldry, tapestry, stained glass and panel painting reflected the tenor of social and political developments in Northern Europe, while the Italian campaigns of Charles VIII, Louis XII, and Francis I provided first-hand experience of the revolutions in art occurring on the Italian peninsula." "Deftly weaving political and cultural history, Chastel tells of French art and its context from 1430 to 1620 with all the authority and insight of a scholar imparting his life's work. With its unmatched trove of over 400 color illustrations, its erudition, wit, and appealing clarity, French Art: The Renaissance will become an essential reference for scholars and a fascinating and accessible introduction for the general reader."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Interpreting Art by
How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various 'theories' and 'methods', but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. Ranging widely, though taking writing within the Western tradition of art history as its primary focus, Interpreting Art highlights the norms, premises, and patterns that tend to guide interpretation along the way. Why, for example, is the concept of artistic 'intention' at once so reviled and yet so hard to let go of? What does it really involve when an interpretation appeals to an artwork's 'reception'? How can 'context' be used by some to keep things under control and by others to make the interpretation of art seem limitless? And how is it that artworks only seem to grow in complexity over time? Interpreting Art reveals subtle features of art writing central to the often unnoticed interpretative practices through which we understand works of art. In doing so, the book also sheds light on possible alternatives, pointing to how writers on art might choose to operate differently in the future.
A Companion to Modern and Contemporary Latin American and Latina/o Art by
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book's areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
